I
have been working with photographer Katherine York to mount her first solo show
in Berlin! A one night only event open to the public will be held at a pop-up gallery space in a private location in Prenzlauer Berg. Save the date for the opening!
DEVILS NIGHT, THE MORNING AFTER by Katherine York
Opening Reception: Thursday, March 22, 2012 from 7 – 10 pm
Exhibition period: March 22 – 25, 2012, appt only
WINS Gallery, Wins Strasse 62, Prenzl'berg
DEVILS NIGHT, THE MORNING AFTER by Katherine York
Opening Reception: Thursday, March 22, 2012 from 7 – 10 pm
Exhibition period: March 22 – 25, 2012, appt only
WINS Gallery, Wins Strasse 62, Prenzl'berg
KATHERINE YORK will present a photographic series of her hometown Detroit, Michigan in her
first solo show - DEVIL’S NIGHT, THE MORNING AFTER. Devils Night is the
informal title given to October 30th, the night before Halloween, now
remembered by the vandalism and arson seen in Detroit from the 1970s to the
1990s.
Devils
Night dates from as early as the 1940's, where youths would engage in a night
of criminal behavior, usually of acts of almost exclusively petty vandalism.
However, in the early 1970s, the vandalism escalated to arson as political
turmoil, job losses, rioting and an increase in violence, causing a mass
population exodus. In the past 50 years the population has halved. Property
owners, unable to sell in the city's rapidly declining housing market would use
Devils Night as an opportunity to burn down their homes, collect the insurance
money, and claim that an arsonist was at fault. From the 70s until the mid 90s
arson and vandalism became more prolific in Detroit's inner-city every year.
The
destruction reached a peak in the mid 80s, with between 500 and 800 fires being
lit in the three days before Halloween.
KATHERINEYORK (b. 1976, Detroit) a self-taught
photographer based in Berlin, York
was
first introduced to the medium by her grandfather. Leaving Detroit at 19 to
California,
York worked primarily in architecture and design. York’s childhood in Detroit, juxtaposed
with her early passion for architecture, is evident through the sprawling desolate
city, suburban and industrial landscapes of her photography. Fascinated by neglect,
post industrial and post communist landscapes, York documents the transition of social
spaces after the fall of a dictatorship, thriving industry or over developed
past. In doing
so, she questions: how these transitions have failed or succeeded, what
blossoms in
these exhausted landscapes and how the spaces become reconfigured or imagined.
York’s images often leave the audience with a sensation of viewing a site where an event has occurred, but what
remains is unsettling unknown.
WINS GALLERY
The exhibition will be a one night only event open
to the public at a pop-up gallery space in Winsstrasse, Prenzlauer Berg, after
which it will be open by appointment only until March 25.