The other night I went to an
exhibition opening for Berlin Art Junction http://www.berlinartjunction.org –
an organization whom promotes the work of young and emerging artists based in
Berlin. BAJ places exhibitions at times in corporate contexts, and as such this
exhibition was held in the offices of GIZ-Haus, http://www.gtz.de.
Having exhibitions outside of gallery contexts are always a challenge. At times
you face dealing with unsuitable interior design fit out, issues with lighting,
pulling an audience to a location off the gallery circuit, which in my
experience in Perth can be hit and miss, and working to create a meaningful
exhibition that accommodates the ergonomics of how the space is used when it is
not being a “gallery”. Having said that it’s a great way to expand audiences,
and by placing work in a corporate context perhaps raising the possibility of
sales, and overcoming all the challenges faced must give one a smug
satisfaction.
Two
works stood out for me – one by my darling friend Georgina Criddle (biased yes,
but you would be to if you knew how much of a wonderful human being she is as
well as a talented artist), and another work by Jennifer Oellerich. Criddle
showed work from here Graffiti Tapestry project http://www.georginacriddle.com/index.php?/projects/graffiti-tapestry/
which was an outcome of a residency at the MEET Factory in Prague. The work by
Oellerich was the most successfully integrated into the space as seen in the
photos below. Check out more of her work here http://www.jennyoellerich.de/works/files/page1-1025-full.html
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